|Robert Bottone (Winchester College)|
Sulamita Aronowsky (Royal Academy of Music)
Roger Vignoles (Royal College of Music)
Geoffrey Parsons (Royal College of Music)
|World Premiere: Piano Concerto of Simon Steen-Andersen (Donaueschinger Musiktage 2014)|
World Premiere: "Birtwistles Variations from the Golden Mountains" (Wigmore Hall)
World Premiere: Elliott Carters "Dialogues for Piano and Orchestra"
World Premiere: Thomas Adès Klavierkonzert "In Seven Days"
|Neos, Metronome, Kairos, Collegno, Live, Wergo, DaCapo, Coviello, NMC, Signum, Musiques Suisses, Winter etc.|
|An active repertoire that encompasses such composers as Beethoven, Berg, Brahms, Debussy, Schubert and Stravinsky reinforces pianist Nicolas Hodges’ special prowess in contemporary music. As Tempo magazine has written: “Hodges is a refreshing artist; he plays the classics as if they were written yesterday, and what was written yesterday as if it were already a classic.”|
In the 2017/18 season he performs as a soloist at the Donaueschinger Musiktage, at the Fundación Juan March in Madrid, at Wigmore Hall, the Queen Elizabeth Hall and as part of the Ultraschall Festival Berlin.
Furthemore he is invited to perform with Staatsorchester Stuttgart under the baton of Sylvain Camberling, as well as with the Philharmonia Orchestra London at Royal Festival Hall together with Beat Furrer.
With Britten Sinfonia he plays the Piano Concerto of Gerald Barry in London, Amsterdam and Norwich under the baton of Thomas Ades.
At the Festival AFEKT he plays chamber music at the final concert in Tallinn with his Trio Accanto.
In chamber music Nicolas collaborates regularly with the Arditti Quartet, Adrian Brendel, Colin Currie, Ilya Gringolts, Anssi Karttunen, Michael Wendeberg, Carolin Widmann and as a member of the Trio Accanto.
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