| Wigmore Hall Medal 2014|
|1998 Gramophone Award, Grammy Award, Disc of the Year, Chamber Award of the BBC Music Magazines, 2 Gramophone Awards, 3 Japanese Record Academy Awards, Chamber Music of America Award|
|Hyperion Records, DECCA|
|Edward Dusinberre | violin|
Harumi Rhodes | violin
Richard O'Neill | viola (as of May 2020)
András Fejér | cello
The Takács Quartet, now entering its forty-third season, is renowned for the vitality of its interpretations. The New York Times recently lauded the ensemble for “revealing the familiar as unfamiliar, making the most traditional of works feel radical once more”, and the Financial Times described a recent concert at the Wigmore Hall: “Even in the most fiendish repertoire these players show no fear, injecting the music with a heady sense of freedom. At the same time, though, there is an uncompromising attention to detail: neither a note nor a bow-hair is out of place.” Based in Boulder at the University of Colorado, the Takács Quartet performs eighty concerts a year worldwide.
In Europe during the 2017-2018 season, in addition to their four annual appearances as Associate Artists at London's Wigmore Hall, the ensemble returns to Copenhagen, Vienna, Luxembourg, Rotterdam, the Rheingau Festival and the Edinburgh Festival. They perform twice at Carnegie Hall, presenting a new Carl Vine work commissioned for them by Musica Viva Australia, Carnegie Hall and the Seattle Commissioning Club. In 2017, the ensemble joined the summer faculty at the Music Academy of the West in Santa Barbara. They return to New Zealand and Australia, perform at Tanglewood with pianist Garrick Ohlsson, at the Aspen Festival, and in over forty other concerts in prestigious North American venues. They will also tour with pianist Marc-Andre Hamelin. The latest Takács recording, to be released by Hyperion in September 2017, features Dvorák's viola quintet, Opus 97 (with Lawrence Power) and String Quartet, Opus 105.
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